TAKE DOWN (Response to Deposition by Pascal Möhlmann (2024) ) The painter said they had arranged the scene as he liked, "thank you very much", so the crew of his assistants emerged from the corners to take it down. It was a crucifixion scene, the cross made of two long panels of wood leaned against a horizontal rafter of the studio; another wood panel rested in front of them on a sawhorse where the main figure had stood. The arrangement resembled a giant painter's easel, the artist's attempt at an understated comment on his work. The crew took down the long panels of wood easily; none had been nailed to hold them in place. The young woman in the red sweat jacket, who'd stood on the cross, the two assistants lowered toward the floor. The woman descended stiffly, her head leaning on a shoulder, her neck strained from its long pose. But everyone was glad to see her coy expression despite the trouble. Her left arm that had been firm to the cross she held rigidly ...
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